I hope you’ll take time to listen to Deb Becker of WBUR interview Karter Reed, and also talk to me about my new book Boy With A Knife: A Story of Murder, Remorse, and a Prisoner’s Fight for Justice. Karter, who was sentenced as a juvenile to an adult prison for a murder he committed in 1993, is a story of success “in spite of” prison and parole issues in Massachusetts. He says himself “I am not unique.” And yet, at the same time, he is remarkable. He demonstrates, among many things, why it is necessary to stop sentencing juveniles as adults. From Radio Boston:

______________________________________________________________________
Last summer I read Susan Rosenberg’s book, An American Radical: A Political Prisoner in My Own Country, and had every intention of writing about it, but now, I am glad I waited. Recently, as I watched protests against Donald Trump’s hate speech, Rosenberg’s book seems more important than ever.

On the one hand An American Radical is a story of a young woman who at age 29 was on the FBI’s Most Wanted list. She admits some of her methods to get what she believed in were not effective. She was a young woman, as she says years later, that “could not see the long distance [she] had traveled from [her] commitment to justice and equality to stockpiling guns and dynamite. Seeing that would take years.”

But the passion behind her desire to change what is wrong in our country, and in particular, to overhaul our prison system, is apparent. Her book is also an important story of a system in the U.S. where Rosenberg was degraded and demeaned but still managed to help other women in spite of the dehumanization she experienced. She kept her head above the fray, managed to stand up to the hate, and served 16 years before she was pardoned by President Bill Clinton as he left office in 2001.

Photo by Rohan Quinby from Rethinking Prisons

After her release, Rosenberg became the communications director for the American Jewish World Service, an international development and human rights organization,
Today she teaches in New York and continues her anti-prison activism. When I ran into her last summer at a Free Her conference at Harvard Law School, I reminded her how much the review she wrote of my first book had meant to me. At the time, she had recently been released from prison. I had seen the barbaric tapes of her and other women underground in a prison within a prison. They had managed to campaign for a return to general population.

We had never met, but it was like meeting an old friend. Rosenberg’s insights were still as profound as ever. She said about prison, “Every reform is a direct result of the suffering of every formerly incarcerated person.”

Sometimes it takes a radical shift to see the truth and engage us in that truth.

Julia Steele Allen is another progressive thinker, a dynamo actress/writer who has the vision to help people rethink the brutalization in prisons. She is one of the forces behind the stunning production of Mariposa and the Saint, a play through letters about solitary confinement, Written in collaboration with a woman who calls herself Mariposa, a prisoner in the notorious SHU in a California prison for women, the play takes the audience through a grueling reenactment of solitary confinement. The play is currently touring, according to Steele’s website, to eight states with active legislation or statewide campaigns to limit or end long-term solitary confinement. The states are: New York, New Jersey, Pennsylvania, Massachusetts, Wisconsin, Texas, Colorado, and California.

Photo by Azikiwe Mohammed (Julia playing Mariposa).

Some of the most touching moments in this short powerful piece take the viewer inside the mind of someone withstanding the insanity—that one cannot help but descend into. Mariposa fights against the injustice of her situation. “You can’t put me in a box cuz I won’t fit,” she says. Mariposa is the Spanish word for “butterfly” and indeed a butterfly cannot be so easily contained.

Mariposa or Sara Fonseca, was originally put in solitary for “an unauthorized weapon” which was, in fact, a tweezers. The craziness of our prison policies continue to come full force after Mariposa gets four more years for throwing a glass of water at a male nurse. Not just more time, but four more years in solitary.

While the play is a bit disjointed and not always easy to follow, it packs a punch as the audience learns of Mariposa’s children she is not allowed to contact while in solitary, and the innumerable losses she endures; she mourns the smell of her baby son’s toes; she aches for a car that will come onstage and drive her away; this she says, in a letter to Julia, is the way the play should end. But it doesn’t end that way. Mariposa remains in prison, now in a mental health unit. It is a brutal and devastatingly sad truth.

The hope in Mariposa and the Saint comes from the activism the play, her letters to Julia, and Mariposa herself has inspired. At one point in the play, Mariposa calls her time in solitary “the struggle to keep her spirit alive.” While the inhumanity of solitary has been written about, seeing it enacted underscores the importance of stopping this practice. In Massachusetts, activist organizations such as Prisoners’ Legal Services, the Coalition for Effective Public Safety, Ending Mass Incarceration Together (EMIT), Amnesty International, the Criminal Justice Policy Coalition, and others are aiming to pass legislation to stop long term solitary, as our current policies put us out of touch with the rest of the county.

Mariposa would not exist if it weren’t for the trauma she has suffered. As Susan Rosenberg so profoundly reminded her audience at Free Her, the work of changing prisons firmly stands on the backs of those who are still behind bars.

PHILLIP CHISM ON TRIAL AT ESSEX SUPERIOR COURT IN SALEM, MASS. / PHOTO VIA AP

My newest on Boston Magazine
“Chism, now 17, will serve at least 40 years for the rape and murder of Danvers teacher Colleen Ritzer, and experts will parse that sentence. But what do we really know about how he’ll serve that time?” More

In the past weeks, I have read about two remarkable people who affected my life and work. The first, Jon Marc Taylor, was not someone I knew well, but I knew of his impact on the world. In my book Shakespeare Behind Bars, I discussed how the removal of Pell Grants almost destroyed college education behind bars. Jon was one of the most important voices in the fight to return them. But rather than talk about him myself, Lynn Glover, his long-time friend, wrote a beautiful letter that was just published in the St. Louis Post Dispatch and she has given me permission to share it below.

“Jon Marc Taylor was a remarkable man. He accomplished more than most people from a prison cell than most people have in the “free world.” He received a bachelor’s and master’s degrees from Ball State University and went on to complete a doctorate in public administration.

Taylor was an author and organizer. He was a strong advocate for reducing recidivism by restoring Pell Grants and he started numerous NAACP chapters in Missouri prisons. In 2010, he arranged for a full-day seminar of the national NAACP meeting in Kansas City to be held at his prison in Cameron, Mo.. Taylor wrote a book designed to help other prisoners rehabilitate themselves through education.

Taylor was incarcerated in Licking, Mo., when he was taken into solitary confinement for over 30 days for having contraband, which amounted to a small amount of butter. This is where he had a debilitating stroke in February 2014. He received therapy for this and was making much progress when his therapy was ended last February and was transferred to Charleston, Mo. He died Dec. 27, 2015, of an apparent heart attack.

Taylor was a brilliant, funny, caring and resilient man who was severely impaired in his ability to communicate from the stroke. He never gave up trying to rehabilitate himself after this and always saw hope in everything that he did. He was turned down for parole four times even though it was determined through a psychological evaluation, and through his many giving actions, that he would be no danger to society.

There is so much more that Jon Marc Taylor did while incarcerated. In the words of writer Bill Tammeus, we really did fail Jon Marc Taylor. If this is what he accomplished behind the walls of prison, it is hard to imagine what he would have done to make our world a better place had he been given his freedom many years ago. Our system is broken and we all need to do something — no matter how big or small — to prevent more injustice.”

Lynn Glover  •  Cabool, Mo.”

Pictured above is Rick Cluchey, author and performer from the amazing play, The Cage, that was my introduction to prison theatre. I saw this production when I lived in the Bay Area in California, and Cluchey, freed from San Quentin, was touring this production. As I wrote in the Forward  of the paperback edition of SBB, ” I was taken less by the content of the play—a nightmare of violence that pitted men against guards—than by the incredible talent of the performers. The image of artists in prison as a cage with men struggling to be free stuck in my mind.” It also helped me take the punge to direct plays in prison, the beginning of my activism.

Cluchey was an amazing talent and as the New York Times recently wrote after being sentenced to prison at age 21,  “his life began to change for the better when the San Francisco Actors Workshop performed Waiting for Godot directed by Herbert Blau, at San Quentin State Prison in November 1957. Thus began the unlikely redemptive arc of Mr. Cluchey’s adulthood, one that led him out of jail and toward a career as an actor and playwright, most notably as a protégé of Samuel Beckett and an interpreter of his cryptic work.”

Cluchey died at age 82, after a career of acting in Beckett’s plays and collaborating with the man himself. he educated himself in prison, read plays, helped start the San Quentin  Actors Workshop, and became devoted to theatre. As the Times wrote, “Mr. Cluchey’s work in prison theater — including a play he wrote about prison life, “The Cage” — was a factor in the commutation of his sentence by Gov. Edmund G. Brown and his release on parole in 1966. He subsequently formed Barbwire Theater, a troupe that including several ex-convicts. They performed The Cage in numerous cities.”

While Cluchey had the chance to change his life on the outside, Jon Marc Taylor did not get the freedom he deserved. And when prisoners die, not enough people know. These two amazing men are getting important shout-outs. We also would do ourselves well to remember the men and women who die behind bars and go unnoticed by most of us.

Christopher Zoukis, incarcerated writer, interviewed me on Huffington Post about why we should not sentence kids to adult prisons, and here’s a piece of his intro:

“In recent years a question has presented itself amongst criminal justice circles: Should juvenile offenders be treated as kids or adults? This question seems to be increasingly important as instances of serious crime committed by juveniles has become more prevalent, or at least more visible, in the United States. The fact that “as many as 250,000 juveniles are tried, sentenced or incarcerated each year as adults”, according to Aljazeera America is enough to give anyone pause due to the breadth of the issue.” More